The Patagonians

The Patagonians

A single-player adventure with horror elements.
The levels of the game are filled with creepy monsters, riddles and a frightening atmosphere.

The daughter of the protagonist of the game disappears on her tenth birthday.
He rushes in search and accidentally learns that she was seen at the abandoned mansion of the founders of the city.
Going there, the hero will remember what he should not remember.

The Patagonians: Gameplay Instructions

The game is controlled using the keyboard.
Use the following buttons to control your character: WASD -move the character, SPACE - jump, SHIFT - run, E - action, LMB - attack, RMB - secondary weapon, TAB - pause.
Use headphones for a better immersion in the atmosphere of the game.
Attention arachnophobes - there are large arachnid monsters in the game.
Also in the game there are sudden and frightening sounds.

Why You’ll Love It

In the game you are waiting for:
- simple controls
- interesting story
- unique monsters
- bosses
- original 2D graphics
- atmospheric soundtrack

In what category can this game be found?

The main genre for this game is Adventure.

Is there any visual depiction of blood in the game?

Yes, The Patagonians features blood or blood-like elements.

What development tool did the creators use to make this game?

WebGL is the game creation tool for this project.

Which studio or team worked on this project?

The programmer who built this game is RDV Indie Games.

What keywords are associated with this game?

The main keywords related to the game are 1player, 2d, horror, platformer.

Who is the primary gender audience for this game?

This game is suitable for Male & Female players.

Which age groups does this game appeal to the most?

The primary audience age-wise for this game is the Kids, Teens, Young Adults, Adults, Seniors age group.

Is there any cruel or harmful content in the game?

Yes, The Patagonians features scenes of cruelty.

Is the game appropriate for kids?

No, The Patagonians is not appropriate for young players.
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